* ISSUE 2 *

25 FALL

* ISSUE 2 * 25 FALL

25 FALL * ISSUE 1 *

Out of Frame

Gap Fillers

Lecture Series

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Out of Frame ⁎ Gap Fillers Lecture Series *

SITU Fabrication
Quarra Stone
Luke Douglas Erickson / Nov. 14, 12PM-1PM / Fish Bowl 10-401

This year, our theme is 'Gap Fillers,' which examines the divide between architects and the practical knowledge of engineers, fabricators, and makers. Too often in school, we only see materials through renders, without understanding the labor and expertise behind them.

Call and Response Jenna Schnitzler Call and Response Jenna Schnitzler

Call and Response - Pairs II

Continuing to draw without lifting the pencil between strokes, it is exciting to see where the Tiny-Z goes first - the initial mark across the paper feels confident, not hesitant like the way it felt before when the pencil moved to just the right spot, then finally plunged onto the page. This movement builds momentum, the patterns that follow feel like I had nothing to do with them. The images here are another series of comparative drawings, which use at least one shared layer between the two drawings. By layering patterns and seeing hatches turning into paths, we test registration and mixing lines from a more extensive library into nearly infinite combinations.

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Margins & Bleed (in-Focus) Selin Sahin Margins & Bleed (in-Focus) Selin Sahin

Mountains, Paper Money & Valleys

"In neighborhoods where mostly single people live, the tea comes in bags. Beşiktaş is a special case: There, they drink coffee instead.”

Traditionally known as the paper collectors (kağıt toplayıcıları) among other names, the informal recycling workers of Turkey walk four to twenty kilometers a day, pulling their heavy loaded cart to earn their bread out of trash. They form a patchy network, often invisible by circumstance and by design.

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Boston Borders, The Borders of Boston Carol-Anne Rodrigues Boston Borders, The Borders of Boston Carol-Anne Rodrigues

Part 5: Chinatown

The excitement of the nearing mid-autumn festival thrums streets away from the Boylston T Stop. As one moves west from Boston Commons, there is a sense that another world is nearby. The buildings huddle closer to each other, and crouch shorter to open up their front windows. Tables emerge on sidewalks, ushering passerby through a maze of bright red banners and stringing lanterns that guides one to the gate of Boston’s famed Chinatown.

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Call and Response Jenna Schnitzler Call and Response Jenna Schnitzler

Call and Response - Pairs I

Displayed side-by-side, these drawings compare lines drawn in CAD and the path taken by the Tiny-Z. The left side drawings are the more faithful executions of drawings I made in CAD. On the other hand, in the drawings on the right side of each pair, the Tiny-Z did not lift its pencil in between strokes, mapping its movement rather than drawing an image. Viewed side-by-side, these drawings show the machine transforming the hatches and grids on the left into something very different. By not lifting the pencil, the machine turns a series of discrete lines into a continuous pattern- rendering the lines lively, nearly textile.

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Call and Response Jenna Schnitzler Call and Response Jenna Schnitzler

Call and Response - Communication

The two-sidedness of communication was the most rewarding part of drawing with the Tiny-Z. Figuring out how it alters or interprets inputs (in the form of accidents or errors) is another thing that can act as a metaphor beyond this drawing experiment, where physicality and materiality meets planning. Lines interpreted by machine and drawn on a page are not so different than plans read by builders and constructed.

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