beyond extraction

Araucanía and antofogasta’s geological narratives

in daily memoriam

Call and Response Jenna Schnitzler Call and Response Jenna Schnitzler

Call and Response - Pairs II

Continuing to draw without lifting the pencil between strokes, it is exciting to see where the Tiny-Z goes first - the initial mark across the paper feels confident, not hesitant like the way it felt before when the pencil moved to just the right spot, then finally plunged onto the page. This movement builds momentum, the patterns that follow feel like I had nothing to do with them. The images here are another series of comparative drawings, which use at least one shared layer between the two drawings. By layering patterns and seeing hatches turning into paths, we test registration and mixing lines from a more extensive library into nearly infinite combinations.

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Margins & Bleed (in-Focus) Selin Sahin Margins & Bleed (in-Focus) Selin Sahin

Mountains, Paper Money & Valleys

"In neighborhoods where mostly single people live, the tea comes in bags. Beşiktaş is a special case: There, they drink coffee instead.”

Traditionally known as the paper collectors (kağıt toplayıcıları) among other names, the informal recycling workers of Turkey walk four to twenty kilometers a day, pulling their heavy loaded cart to earn their bread out of trash. They form a patchy network, often invisible by circumstance and by design.

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